Review: The Spoken Mage Series

Last year, I wrote a review of Voice of Power, the first book in Melanie Cellier's Spoken Mage series, and decided I wasn't engaged enough in it to read the rest. Then she released all four books at a discount, and I decided to put them aside until I felt the time was right to complete the rest of the series. That time came this week. The recent pandemic has us all locked away in our towers, and we now have more free time than ever before. Even though it had been over a year since I read the first book, I still remembered it vividly. The tale of a girl who can cast magic spells using only her voice in a world where the written word is the only way for most people to access power is hard to forget. I have to give Melanie Cellier credit for keeping each book fresh and interesting while maintaining the same overall tone. Still, I had many of the same issues with the other three books in the series as I did with the first one. I began reading The Spoken Mage because I was a fan of Melanie's fairy tale retellings, but this felt more like a war epic than it did a fairy tale.

The Spoken Mage begins with Voice of Power and is about a girl named Elena who lives in a world where only the nobility are able to read and write because this ability creates the power to cast magic spells. That means that commonborn people like Elena are banned from learning about the written word due to the dire consequences of uncontrolled bursts of magic from those who are not bred to use it properly. All of that changes when Elena accidentally casts a controlled spell using only the sound of her voice and is forced to study magic at the Royal Academy so she can learn how to control her powers. She is also sent there so the higher mages can keep an eye on her and have a better understanding of her unique ability. The series follows a traditional "chosen one" arc with Elena living an simple and ordinary life until she is sought out by many important people due to being the only person who can cast spells by speaking instead of writing. She struggles to come to terms with the fact that she isn't the normal peasant she thought she was and has trouble fitting in at the academy due to her lack of noble blood.

Similar to the Harry Potter books, Elena is treated as an outsider to the world of magic at first but quickly outshines all of her classmates by epic proportions. I found that The Spoke Mage series drew inspiration from many sources, which makes it difficult to identify a specific audience. The second book, Voice of Command, ends with Elena signing up for the military to save her little sister just like in the Hunger Games series and, to a lesser extent, the story of Mulan. At the same time, the books contain some fairy tale elements such as a romance with a handsome prince and the setting of a magical kingdom. Voice of Command is mostly about Elena helping the healer mages with a fast-spreading epidemic, which hits a little too close to home right now. The rest of the series focuses heavily on Elena using her powers to help fight in the war efforts, which encompass the majority of the third book, Voice of Dominion. Elena is so overpowered that she has little need for romance, causing her relationship with Prince Lucas to feel uneven and flat. It was difficult to root for them as a couple because I never understood what they saw in each other or had to offer. It feels like they only want to be together because she is the heroine of the story and he is the prince.

The relationship between Elena and her family, on the other hand, is much stronger than her romantic dalliance with Lucas. I loved her devotion to her sickly younger sister, Clemmy, and her older brother, Jasper, who studied at the University near the Royal Academy due to his superior intellect. It warmed my heart to see how much their parents cared about all three of them, and how protective they were over each other. Some of the biggest highlights in the books were Elena's visits to the University to check up on Jasper and the sacrifices that she made for Clemmy's safety. They feel like a real family that anyone would love to be part of. That's why the decision that Elena makes at the end of Voice of Dominion is so problematic and undermines a major theme presented throughout the series about respecting lower classes. The decision s completely out of character for her and emphasizes how the changes she went through after studying magic and living with nobility were not entirely for the better. Yet, this decision has no negative ramifications in the end and winds up being a deus ex machina for her poorly developed relationship with Lucas. For that reason, I found the final book, Voice of Life, somewhat less enjoyable than the other three.

Overall, I enjoyed The Spoken Mage series as much as I could, but it didn't have the same level of charm or romance as Melanie Cellier's fairy tale books. So much of it was about people trying to hunt down Elena for her unique skill, and in the end, it felt as though she lost track of what she was fighting for. She had the perfect family and could have used that to prove that being commonborn does not make one a lesser person instead of assimilating into the world of the royals and nobles. I think the story would have been better if Prince Lucas had not been in it at all. Their romance felt out of place and even inappropriate at times. There were a lot of characters to keep track of even without the royal family, which occasionally made the story difficult to follow. I appreciate that Melanie Cellier tried to go in a different direction with this series, but there were still some fairy tale elements forced into the plot that didn't belong despite that. If it had been written for a different type of audience entirely, it would have the potential to be a terrific fantasy war epic.


Anonymous said…
I thank you for this review since I needed a brief reminder of the series to jog my memory before beginning the next series in this world.

However, I disagree with your review. I enjoyed the series because it didn’t fit with all the others in it’s “genre”. And why should it have to conform to those other stories? The series missed much that is frankly annoying in other similar literature, and for that I was grateful. I say, “Way to go!” Melanie for not being like all the others. As an avid reader, I prefer originality.

The romance with the prince may be unconventional, but then so is life.

As far as the wrap up goes, I’m not so sure that the heroine lost or forgot her values as much as she came to the realization that cultural change takes time. Humans have to mentally absorb new ideas over a period of time, or else you end up with incredibly bloody cultural changes like the French Revolution. Our lead lady is one person. Others now need to join her in the change.
BlockyBits said…
Goood reading this post

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