It turns out I wasn't the only one who was excited to learn that the 1997 version of Rodgers and Hammerstein's Cinderella was coming to Disney+ last week. Everyone involved in the making of this classic film from over 20 years ago got together for interviews, a live watch party on Twitter, and more. The biggest surprise of this celebration was a brand new music video from Disney aficionado Todrick Hall featuring the leading lady herself, Brandy Norwood. It starts out as a fun little singing session between Brandy and Todrick as they serenade each other with songs from the classic musical. Then, something magical happens as Brandy is transformed into a slightly updated version of her princess look from the 1997 film and returns to the ball with Todrick as her prince. The video comes to a "happily ever after" with socially distanced cameos from several of the other cast members in the film.
Todrick Hall is no stranger to producing professional-quality Disney fan videos. I was particularly impressed by his "Spell Block Tango" mash-up video of Disney villains with the musical Chicago back in the day. It's evident that his "Cinderella" video was a labor of love by all the wonderful little touches in the background of his studio. There are countless Broadway posters lining the walls, a classic storybook from Disney's animated 1950 version of the story, and dolls of both Brandy and Whitney Houston in their iconic gowns from the 1997 movie. The costume that Brandy wears when she transforms into Cinderella at the ball is slightly different from the in the original film. It is a darker shade of blue and made of more shimmery material, adding to the magic of the music video. Her crown is also larger, implying that she has evolved from a princess into a full-blown queen. The choreography during this scene is on point and every bit as magical as it was in the original film.
What I enjoyed the most about this video was the look of sheer delight on Brandy and Todrick's faces as they performed these classic songs. You could tell that the video was made as a result of love and enjoyment for the original and not as a forced promotion for Disney (even though Whoopi Goldberg throws one in at the end). It's adorable how amazed Todrick Hall looks when Brandy walks into the room. She also seems to be having the time of her life adding her own soulful spin on iconic songs like "In My Own Little Corner" and "Impossible." The rest of the cast, including Bernadette Peters, Jason Alexander, and Paolo Montalban, who dressed up for his cameo, show their appreciation for the movie by appearing in the "Cinderella" storybook at the end. It was delightful to see that all of these performers still remember their roles in this gorgeous movie.
Todrick Hall isn't the only one who blessed us with new "Cinderella" music last week. On the same day that Rodgers and Hammerstein's Cinderella launched on Disney+, Andrew Lloyd Webber released another song from his Cinderella musical called "I Know I Have a Heart." This song is thematically similar to "Far Too Late." It expands upon Cinderella's regrets toward not telling Prince Sebastian about her feelings for him and running away from the ball. The song emphasizes her heartbreak after he picks a different woman to be his bride with the line "I know I have a heart because you broke it" and deconstructs today's feminist princess trope that encourages girls to suppress their femininity and hide their emotions. This version of Cinderella embodies the modern princess trope of being rebellious and independent and denying her feelings for the prince. "I Know I Have a Heart" enunciates the dangers of this attitude by showing us that no matter how tough a woman may act on the outside, she is just susceptible to pain and heartbreak on the inside.
"Cinderella" is a story that was once considered outdated. With these two musical revivals, it seems to be back in fashion. It makes sense that all of the people falling on hard times due to the current state of the world would want to embrace the fantasy of having their problems magically disappear. Personally, I've never grown tired of this story and am happy to see it make a comeback in any form. I think that the currently airing Disney+ series, WandaVision, is another example of a modern deconstruction of the "Cinderella" trope, but I will expand on that after the season ends.
As soon as I saw the previews for Netflix's new animated series, Unicorn Academy , I couldn't get over how similar it looked to Princess Gwenevere and the Jewel Riders . Teenagers forming magical bonds with unicorns to save the world from evil? Yes, please! With a Jewel Riders graphic novel on the horizon, this is the perfect time to revisit that premise. Unicorn Academy is loosely based on a book series of the same name that got picked up by Netflix and recently aired its first season. The premiere movie and successive eight episodes follow six unicorns and their riders on their quest to protect the magical realm from the evil Ravenzella, who performed reprehensible acts to previous generations, including the father of the main character, Sophia. The show contains a lot of teen angst and drama as well as rainbows, sparkles, and magic. Although Unicorn Academy features an entire school full of unicorn riders training to be protectors, it only focuses on the six students liv
I wasn't sure what to expect after the movie My Sweet Monster was recommended to me and I found out it was released last year. There are very few movies I've enjoyed that came out within the past five years or so. Then again, there haven't been many animated princess movies for a while in general. My Sweet Monster is a Russian CGI princess musical with a plot that feels like it could have been released in the '90s with environmentalist themes and a wacky setting. It's on par with lower budget animated films like Fern Gully: The Last Rainforest or Charming . I appreciate that it was a musical, which is becoming less common these days, and that it isn't pandering to political themes, probably due to cultural differences in Russia. It isn't one of the best animated films I've ever seen, but it's refreshing for something that came out within the last year. My Sweet Monster is about a ditzy princess named Barbara, voiced by Haylie Duff , who wants to
I've been seeing several viral posts recently about historical fashion lately. One was a gallery of women's fashion every year from 1784 to 1970 , and another was a video re-enactment of how women got dressed in the 18th century . These got me thinking about some of my favorite princess fashions. Though princesses are not known to be historically accurate , their fashions drew inspiration from many different places, and history is one of them. If you take a look at the way fashion has evolved over time, you can get an idea of which parts inspired the princess movies and which parts were altered. Something that surprised me in the re-enactment was how many pieces were assembled on a woman to give the appearance of a single dress. Today, most dresses are a single piece, but historically, gowns consisted of a corset bodice and a large skirt with a crinoline underneath. This was something I also noticed about Disney's theme park princesses . Though they look like one dr
Yesterday, the Starz network released the series finale of The Spanish Princess , concluding The White Queen trilogy of miniseries that began in 2013. Based on a book series called The Cousins' War by Phillippa Gregory , the trilogy covers the women who stood behind the men in power in the English monarchy from 1464 to the 1530s, preceding the first two sovereign queens, Mary and Elizabeth. The White Queen , The White Princess , and The Spanish Princess grant us a rare opportunity to see what life was like for medieval monarchs. Watching them reminded me of why I prefer the fairy tale versions of royalty. Those stories do not contain the gory deaths, gruesome births, and invasive politics that historical dramatizations like these exemplify. In fact, I had very little interest in watching the second season of The Spanish Princess until I watched some historical videos and learned that the king that Catherine of Aragon was married to was none other than King Henry VIII, who was
I have never been a fan of the Descendants franchise , which was originally created by Disney to take down Mattel's semi-successful Ever After High line of dolls, books , and webisodes. It succeeded in this endeavor thanks to Disney brand recognition despite being an inferior product. Coming out nearly a decade after the original , we have a fourth Descendants movie entitled The Rise of Red . This movie introduces a new generation of fairy tale offspring with countless changes to the classic stories, most of which are for the worse. Its only redeeming factor was a heartfelt tribute to Cameron Boyce , who played the son of Cruella de Vil in the original films. The Descendants franchise had very little working in its favor from the start, but it at least had a leg up over The School for Good and Evil by basing the backstories of the Disney characters on their films instead of superimposing an artificial school setting where they learned to be heroes and villains. This film retcon
For those of you who aren't savvy in the world of underground Hollywood, there is a studio called The Asylum , whose sole purpose is to create low-budget imitations of popular movies in the hopes that an old granny will forget her glasses while shopping and buy one on DVD for her grandkids, thinking it's that big blockbuster movie they're always yapping on about. When they set their sights on an upcoming release from a major studio, they rush to get their imitation out before or around the same time as the one they're mimicking so they can pretend that they came up with the idea first. The Princess Twins of Legendale was not produced by The Asylum, but it feels like it easily could have been. In actuality, it was produced by a modern toy company called MGA Entertainment , which is famous for making Bratz and L.O.L. Surprise dolls. You would think that a toy company producing a low-budget movie would only do so with the intention of selling toys, but surprisingly, my
Happy New Year, princess fans! When a new year begins, many of us think about things we can do better than the year before. There is no company this notion applies to better than Disney, which has been failing in every direction now more so than ever. Their latest feature, Wish , was a genuinely solid movie that sadly did not make the profits it deserved. Following its theatrical run, many fans noticed that the concepts presented in the official Art of Wish book would have elevated it from a good movie to a great one. Most of these concepts revolved around love and romance , which has been strategically removed from modern Disney Princess archetypes , despite being a staple of the brand prior to the past decade. Despite some early rumors that Asha might be the daughter of King Magnifico and Queen Amaya, the film's director Chris Buck explained in an interview why he was adamantly against making her a princess, which may have been another mistake that could have altered the m
There have been many recent updates in the Dress Up! Time Princess app with the most notable being that they changed their name to simply Time Princess, which is how I will be referring to it from this point on. Another major update from this week was the second half of the latest visual novel, Shadows of London, a Victorian vampire story. This is the first visual novel in Time Princess that was released in two separate halves since I started playing it. I thought the wait time would be frustrating, but I found that it gave me ample time to craft the items I needed to access the new story levels so I wouldn't get stuck when the rest of the game was released. This is the easiest story I've played so far in Time Princess, but that might be because I've been playing it for so long. I was able to get through all the story levels from each of the two releases within a single evening. The main character in Shadows of London is Caroline Rayes, a young lady with a tragic past who
Sofia the First , everyone's favorite princess-in-training, has met every official Disney Princess that existed when her show began with the sole exception of Pocahontas . The power of her purple amulet granted her the ability to summon famous princesses whenever she was in trouble. Technically, she never met Anna either, but the episode "Olaf and the Tale of Miss Nettle" implied that she was supposed to meet her but got Olaf instead because her amulet was on the fritz. About a year ago, her amulet turned pink and granted her new powers. It now sends her to help princesses , meaning that the chances of her meeting Pocahontas at this point are virtually nonexistent. Why did they acknowledge every other princess movie except this one? Actually, they did acknowledge the 1995 animated classic in an episode of Sofia, but it was very subtle. In the 2015 episode of Sofia the First, "The Secret Library," Sofia discovers a hidden passageway beneath her c
It was common in the early days of fairy tales for the enemy of a princess or future princess to be her vain stepmother. There were many reasons for this, most of which are no longer relevant by modern standards, causing that trope to fall by the wayside. One outdated reason is that girls rarely left the house (or "tower" if you will) in the old days because they were expected to do housework and eventually become mothers. Therefore, meeting an enemy outside of their own homes would have been unlikely. Why do you think so many princesses long for freedom ? The other reason is that fairy tales are meant to encourage children to love and obey their parents, so it would be counterintuitive for them to go up against their biological caretakers. There are a few rare exceptions , but these disturbing stories about horrible parents never made it into the mainstream media for good reason. Giving them stepparents who were brought into their lives at a later time solves this problem
Comments