It turns out I wasn't the only one who was excited to learn that the 1997 version of Rodgers and Hammerstein's Cinderella was coming to Disney+ last week. Everyone involved in the making of this classic film from over 20 years ago got together for interviews, a live watch party on Twitter, and more. The biggest surprise of this celebration was a brand new music video from Disney aficionado Todrick Hall featuring the leading lady herself, Brandy Norwood. It starts out as a fun little singing session between Brandy and Todrick as they serenade each other with songs from the classic musical. Then, something magical happens as Brandy is transformed into a slightly updated version of her princess look from the 1997 film and returns to the ball with Todrick as her prince. The video comes to a "happily ever after" with socially distanced cameos from several of the other cast members in the film.
Todrick Hall is no stranger to producing professional-quality Disney fan videos. I was particularly impressed by his "Spell Block Tango" mash-up video of Disney villains with the musical Chicago back in the day. It's evident that his "Cinderella" video was a labor of love by all the wonderful little touches in the background of his studio. There are countless Broadway posters lining the walls, a classic storybook from Disney's animated 1950 version of the story, and dolls of both Brandy and Whitney Houston in their iconic gowns from the 1997 movie. The costume that Brandy wears when she transforms into Cinderella at the ball is slightly different from the in the original film. It is a darker shade of blue and made of more shimmery material, adding to the magic of the music video. Her crown is also larger, implying that she has evolved from a princess into a full-blown queen. The choreography during this scene is on point and every bit as magical as it was in the original film.
What I enjoyed the most about this video was the look of sheer delight on Brandy and Todrick's faces as they performed these classic songs. You could tell that the video was made as a result of love and enjoyment for the original and not as a forced promotion for Disney (even though Whoopi Goldberg throws one in at the end). It's adorable how amazed Todrick Hall looks when Brandy walks into the room. She also seems to be having the time of her life adding her own soulful spin on iconic songs like "In My Own Little Corner" and "Impossible." The rest of the cast, including Bernadette Peters, Jason Alexander, and Paolo Montalban, who dressed up for his cameo, show their appreciation for the movie by appearing in the "Cinderella" storybook at the end. It was delightful to see that all of these performers still remember their roles in this gorgeous movie.
Todrick Hall isn't the only one who blessed us with new "Cinderella" music last week. On the same day that Rodgers and Hammerstein's Cinderella launched on Disney+, Andrew Lloyd Webber released another song from his Cinderella musical called "I Know I Have a Heart." This song is thematically similar to "Far Too Late." It expands upon Cinderella's regrets toward not telling Prince Sebastian about her feelings for him and running away from the ball. The song emphasizes her heartbreak after he picks a different woman to be his bride with the line "I know I have a heart because you broke it" and deconstructs today's feminist princess trope that encourages girls to suppress their femininity and hide their emotions. This version of Cinderella embodies the modern princess trope of being rebellious and independent and denying her feelings for the prince. "I Know I Have a Heart" enunciates the dangers of this attitude by showing us that no matter how tough a woman may act on the outside, she is just susceptible to pain and heartbreak on the inside.
"Cinderella" is a story that was once considered outdated. With these two musical revivals, it seems to be back in fashion. It makes sense that all of the people falling on hard times due to the current state of the world would want to embrace the fantasy of having their problems magically disappear. Personally, I've never grown tired of this story and am happy to see it make a comeback in any form. I think that the currently airing Disney+ series, WandaVision, is another example of a modern deconstruction of the "Cinderella" trope, but I will expand on that after the season ends.
Only one month after my recent obsession with Find Me in Paris , the time-traveling ballerina princess drama dropped its third and final season on Hulu today. Though somewhat predictable, this season offered a satisfying conclusion to the show's unique concept that combined dance with science fiction and tied up all remaining loose ends from the previous seasons. We finally learned the truth about Lena's birth and why she's always being chased by anyone remotely interested in time travel. Nearly every character got paired off at the end, even if it meant some questionable decisions on behalf of the writers. The season also offered some of the most beautiful dance sequences in the show yet for its key story moments. While I could have done without the repetitive recap sequences, the final episodes made it clear that this was always meant to be the end and gave the cast and crew many happy memories to look back upon. The final season of Find Me in Paris incorporated the ...
Yesterday, the Starz network released the series finale of The Spanish Princess , concluding The White Queen trilogy of miniseries that began in 2013. Based on a book series called The Cousins' War by Phillippa Gregory , the trilogy covers the women who stood behind the men in power in the English monarchy from 1464 to the 1530s, preceding the first two sovereign queens, Mary and Elizabeth. The White Queen , The White Princess , and The Spanish Princess grant us a rare opportunity to see what life was like for medieval monarchs. Watching them reminded me of why I prefer the fairy tale versions of royalty. Those stories do not contain the gory deaths, gruesome births, and invasive politics that historical dramatizations like these exemplify. In fact, I had very little interest in watching the second season of The Spanish Princess until I watched some historical videos and learned that the king that Catherine of Aragon was married to was none other than King...
Today is a major accomplishment for me. I started this blog 100 days ago, and I've managed to write a new post in it every day since then. Some of the topics were easier to come up with than others. I also had to go back and edit some after the fact due to poor proofreading. Speaking of which, I'm really sorry about the disastrous short story from my first Story Saturday post . The whole thing was written on my phone on the way to a Mermaid Art Show event in San Diego, so I was a little distracted. I promise to put more effort into future Story Saturdays, which should be easier now that I will no longer be writing new posts every day. Don't worry, though. I will still keep everyone informed of the latest princess news and review all the new princess movies and specials. Without further ado, in celebration of my 100th post, here is a list of 100 princesses with all of the posts I've made about them (in no particular order). Thank you so much for reading my blog. 1-11:...
Four years ago, I shared a review of a cozy strategy game called Yes, Your Grace , in which players take on the role of a king who must wisely distribute resources to protect his family and his kingdom. Now, the game has released a sequel called Yes, Your Grace: Snowfall, in which the stakes have been raised exponentially. Snowfall features similar graphics and gameplay to the original, albeit with some small updates, along with a significantly darker tone. Players begin as King Eryk, the protagonist from the first game, but things quickly take a turn for the worse with his circumstances and health, and Queen Aurelea must step in to protect what's most dear to them. The game begins by allowing players to input over their story decisions from the first Yes, Your Grace. For those of us who played it almost five years ago, it might be hard to remember what those decisions were. This task can be bypassed by asking the advisor to make the best decisions, or just give it your best guess....
Since I have a tendency to binge things, it's difficult for me to keep track of newer visual novels in Time Princess when they keep getting split into two separate releases. Even though I completed the Mirror of Masks story, I had a hard time following it. Still, I have received positive feedback on my other Time Princess reviews, so I will cover this one as well. If nothing else, I love the overall vibe that Mirror of Masks gives off. Its 2D cover is a work of art, and it does a great job of creating a metaphor for espionage under the guise of fake and pretentious Hollywood glamour. That said, this story bit off more than it could chew by attempting to cover too many genres at once. Leila Federer is a young ingenue who just got her big break in a major motion picture. Nothing on set is what it seems when an actress is mysteriously murdered, and Leila is recruited to join a secret organization investigating the scandal. Suddenly, her ambitious quest for stardom turns i...
When I wrote my series of fairy tale origin posts , one major story that I skipped was "Sleeping Beauty." It wasn't because I didn't care for this story as much as the others, but instead that it had a less complex narrative of changing with the times . In fact, this fairy tale is so simple that no matter how many updates modern adaptations incorporate, it is rarely altered so drastically from its roots to the point of being unrecognizable, except in the case of a ridiculous 2016 horror movie called The Curse of Sleeping Beauty . Of all the movies I argued against depicting the theme of "Be pretty, girls, and things might work out," Sleeping Beauty is the biggest outlier. It is probably for this reason that it is the only Disney Princess movie that did not get a direct live-action remake , but instead a creative reimagining with Maleficent , which focused on the more active villain than the mostly passive princess. Determining how much Sleeping Beauty h...
Almost two years ago, Disney announced that they were working on a spinoff series to Sofia the First . The best place to reveal new updates about this mysterious series would have been the D23 Expo , which took place in Anaheim last weekend. Instead, Disney Jr. quietly posted on Instagram today that we can expect to see the new series, Sofia the First: Royal Magic on Disney+ in 2026. This is fantastic news if it's true, but Disney has broken promises on many other upcoming shows over the upcoming years, so it's a good idea to take all their announcements with a grain of salt until there is something more substantial like a trailer or release date. Still, it's exciting to have a title and more information about the series. Unlike the original announcement about it being a spinoff like Elena of Avalor , the show will now be a direct sequel that continues Sofia's adventures after graduating from Royal Prep . The official summary is as follows: "Sofia the Firs...
The first post I wrote in this blog was called "How the Disney Princesses Stayed Modern for 80 Years." The answer was a combination of creating new princesses to match the times along with branded promotional videos, events, and merchandise that combine the old with the new. The latest example is this year's Ultimate Princess Celebration , which is an attempt to celebrate all of the Disney Princesses, including ones that may feel outdated by today's standards, by releasing imagery that makes it look like they're all friends. This is a wonderful method of keeping some of my favorite childhood characters relevant , but it is also a shield used to cover up a darker truth that many of these characters would not be deemed acceptable by today's standards. We have reached a point in Hollywood in which traditional feminine traits are considered weak or problematic . As such, characters like Raya are considered the only acceptable way to portray a woman in the medi...
Disenchanted the Musical is a project that began in 2009 and made its way to off-Broadway theaters in 2012. Not to be confused with the upcoming Disney+ sequel to Enchanted , this stage show is a parody of the Disney Princess brand that is in no way sanctioned by Disney, as proven by the public domain-approved character autographs on the poster. The show contains far too many Disney-specific references to be an interpretative musical about fairy tales in the vein of Stephen Sondheim's Into the Woods . Disenchanted! is far less sophisticated than Into the Woods with a focus on low-brow humor and an overall lack of plot, which explains why it never could have been a contender for the elite world of Broadway . It must instead settle for off-Broadway and low-budget local productions like the one I streamed over the weekend. The show's childish humor about cartoon princesses might imply that it is meant for very young audiences , but the light swearing and song abou...
It's the premiere week of Mysticons , so let's talk about magical girls and their impact on princess mythology. The magical girl craze began in Japan as a genre of anime called "mahou shoujo." No one knows exactly how it started, but it is believed that the first magical girl appeared in 1966 as Sally the Witch . Though individual stories vary, all the series in the mahou shoujo genre contain grade school-aged girls who receive sparkly trinkets that allow them to transform into pretty superheroes. They fight bad guys by screaming magical words and releasing different types of spells, usually in a pretty sequence of recycled animation. The concept seems rather silly from an outside perspective, but it definitely sells. Not all magical girls are princesses, but it is a common overlying theme, most likely because the genre was created for the same target audience. The most princessy magical girl anime would probably have to be Go! Princess Prett...
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